Poem: The Other

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The light always falls on Llanwenarth,
Yet indirectly, rays knifing through clouds,
Exploding from stitchwort, and the soft glow
Of yew-secreted corridors of violets

Light needn’t come in a bang, but a whimper,
A half-glimpsed twitch, an erotic moan,
The verge-dusk exposure of beauty cradled
In uncertain twilight, incubation by snow,

Yet stones can only birth themselves
From the bones of others,
Hearkening to the cries
Echoing against their cavities,
Like lover nestled in caverns of lover,
Joy-pain of Self confronting the Other

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Poem: The Immortal

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The Immortal sat on a tree stump,
His long, sloping forehead, a pinnacle of rock,
Robes of faded vermillion, a petrified languor,
Carved into the lineaments of his face,
An ancient parchment whereon was writ
A depth of sorrow unknowable to man

When you live forever,
Your eyes become portals sick-glutted on suffering,
Fortitude the only friend keeping you up-propped,
Crossing interminable wildernesses, clambering
Over the serried dead in their wormy trenches,
Bones powdered into rocks,
Rocks compounded into worlds,
Where new wars may be fought,
And the ugly process repeated

Unable to die, you cannot separate from it,
It lives in you, and you in it,
Passing before your eyes – a dream of dust –
An illusion cast – a spell unbroken –
Like Sisyphus, every time you think you’ve broken through,
The vapours of illusion swell up from the lagoon,
Leaving a simulacra in its place

The oak stump upon which The Immortal sat
Was the last relic of an ancient wood,
Over which he’d presided for ages uncountable,
Having tired of the tortures and endless wars
Of the stars systems through which he travelled,
He withdrew to the relative quietude of planet Earth,
Then little peopled, where he could hold converse
With volcanoes, and meditate in mid-air above
Lava fields, reigning in tranquillity aloft
The times and tides of Creation,
Where the serenity of all-pervading ocean,
Could be suddenly thwart into torment by storms,
And abruptions of equal duration, jungles sprouting
Up in the passing of a year’s breath,
Then eaten up by swamps anon

My imagination does me more credit than my pen
Can express – or so I tell you as The Immortal passed
Gently through the birth throes of pre-history,
Swimming beside giant trilobites – by ambitious
Lifeforms with spiralling flagella, and other spawn
Worked by infinity’s ingenuity, radially proliferating
In a concourse of unlikely ways, to secure their time
Upon this uncertain world – creatures some of us
Still spy in dreams and visions, long since re-housed
In the Earth’s magma core, never to be seen again

After the last Ice Age,
When the world began to take a shape
We might recognize,
The Immortal settled in the wood aforementioned.
He kept watch over the birds,
Returning fallen chicks to their nests,
He knew the names of every new bud,
And kept in discourse with the elementals
Who performed their office in these woods.
Leaf-growth, sap-rise, wing-shuffle, and silenced
Preen were the notes of his flute;
Bird call and bush-rustle were scratchings
Within his throat. He was the sacred storehouse
From which all birds gathered their songs;
The unseen muse from which robins
Derive their twelve-month rhapsody

For thousands of years, these woods went unhaunted
By unwanted men – an enchantment spread from tree
To tree to keep the peace of the place in humble perpetuity,
Preserved in the amberous damask of unfading twilight,
Enwombed in a glow, fireside lambent,
They remained in a state of ceaseless merriment,
Boycotting all seasons but Spring.
Lute, harp, and merry bells jangling
To keep the goodness in – an unpunctured yoke
Of log-snug warmth, where no tree was felled
But by the consent of the wind,
Or The Immortal’s wise sense of order

But this Golden Age could not remain forever.
As violently inconstant as the molten mountains
That gave them form, the Earth grew ripe,
Grew dizzy for change. Man spread like small-pox
Over its once fair face, carving up the land
To prostitute it to their wants.

All around the wood,
Landscapes were tarnished to suit their ways,
Land-fills, quarries, the thoughtless proliferation of waste,
Garbage everywhere man was,
And even where he was not,
Lakes gave up their dead,
Vomiting amphibious refugees,
Newts and frogs, fish fiercely hungry for legs
To escape the toxins eating into their scales,
Mountains mined, the whole world suffocated
Beneath the carapace of cement – skies criss-crossed
With fumes – rivers red with copper and rust –
Every creature and thing now marketable and priced,
Life only worth the telling of its death-hardened function,
The pleasure it can give to the luxury-fat rich

The Immortal knew the wood’s days were numbered,
The encroachment of machine and saw not forestalled,
The spells could not stave off the men
Who lacked mind enough to know magic existed at all

The Immortal did all he could,
Pleading with interdimensional councils who might intervene:

“Take me!” he implored. “Let me sacrifice my immortality,
And infuse it in the soil of this wood,
So these trees will be axe-impervious as diamond flesh,
And the birdsong as though music from an eternal book
Inked Akashic upon the sky. Let there be at least one place
Upon the Earth where man’s murderous fingers cannot pry.”

But The Council would not give their consent –
Too much Karma and interdimensional red tape.

“An immortal born must immortal be,
Quitless of time or the tides of the sea.”

And so he saw it done:
Every tree cut down –
Every bird unhoused –
Every spirit cast out to be reborn
As a curse upon those diseased enough
To quit them

Which is why you see him here now,
On the un-uprooted stump of the last remaining oak,

And as grief runs proportionate to the lives its afflicts,
I don’t know if I’ll ever have the comfort,
Or the sadness,
To watch The Immortal move on

A Naturalist’s Plea: Don’t Mow Your Law

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I’m sure all of you are familiar with the crisis affecting the depletion of the bee population. I’m sure it upsets you, as it does me, and you may even have shared videos on the subject. But, if you really care, and want to make a difference, here’s a little something you can do:

 
If you have a lawn with wildflowers/weeds growing on it, DON’T MOW IT! I don’t care what denatured, anal human part of you thinks it looks ‘messy,’ you are not making things ‘neater’ – you are destroying a habitat essential to the life-needs of bees, butterflies, and birds, to say nothing of other species. By reducing their already fragmented habitats, you are only making the planet more unliveable for them, and ourselves as a consequence.

 
Two of the biggest causes of animal depopulation is habitat fragmentation and the modernization of previously nature-tolerant agricultural practises. Instead of mowing your lawn, let wildflowers grow, or purposefully cultivate them, rather than planting shop-bought, non-native/cultivated flowers which have next to no ecological purpose for bees/butterflies. Wait until the flowers have died to mow it. Is that really too much to ask?

 
Thank you for reading.

Poem: Red Kite

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The Red Kite flies over Wales,
Protector Bird, Saviour Bird, Ill-Treated Bird,
Once London’s collective, necrophagous janitor,
Reduced to extinction by trigger-happy morons,
Withdrawing into Wales’ brooding mountains,
You brooded along with them, biding your time,
Until another generation would see your mermaid’s tail,
As a thing to preserve from danger

Poem: Warring States

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The pressure is mounting,
Perched on a branch, in a matrix of lust,
Entirely invested in the warp and weft,
The want and hunger for shape and colour,
I cannot ignore that iridescent sheen of red,
That just-so poise of geometric isolation,
I must assimilate it – take it into my heart,
Make peripheries crumble in deliquesced wanting,
The insanity of a smell that arouses taking,

It makes me quiver,
A shaking, desiring, eye-captured thing,
Prostituted to my own senses,
The irresistible blister of this itching cathexis,
Turning me into the prisoner of my own libidinous
Investments

Are you my enemy,
Or are you my lover?
I cannot distinguish anger from desire,
The sacral pulse of over-strained flesh,
Of celibacy combined with concupiscence

Because in violence,
There is the clawing away of skin,
Unplugged blood vessels,
There is the maggoty worming
For interiorization intense

And in lust,
The tender drill-bits are no less integral,
Fingers are knives that pierce to the essential,
The sadomasochism of simply being yourself,
When that ‘self’ is a spasm of wanting

Then I become nothing less than a bear,
Tearing out its opponent’s throat,
Like the cruel Jazz musician,
Who kills you with a single note,

And hanging on to that wasp-sting of over-strained brilliance,
I will find the beauty and danger of meeting with essence

 

Poem: Daughter of Heaven

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Fish fins lazily through pondwater,
An artificial sea made to capture its beauty,
Like a dry-pressed moth trapped between glass,
The viewed is the victim of the viewer

“Isn’t nature wonderful?” people grandly say,
“Let’s make it smaller so we can see it more clearly.
I want be able to hold nature in my hand’s palm, and say:
Look – it’s Nature – I’ve got it.”

You have nothing but a trinket, a bauble,
My friend, my enemy,
A eunuchized gewgaw to show your family,
Your relationship with nature is not a fucking status symbol;
It’s a token denial of the truth within you

If you want to really know nature,
You have to be prepared to grow grass in your throat,
To vomit leaves from the twin-cyclones of your lungs,
To let the vines tie you, Gulliver-like, to the ground,
And accept yourself as equally ridiculous and small

Your identity is not you – it is your parity of connections,
It is the interzone were peripheries merge and meet,
And you are sacrificed to the god of your own daughter

The Daughter of Heaven,
The Unearthly Bosom,
To be exposed to the piercing Earth

 

Poem: Welsh Daydream

cottage

Terse old house,
An entomologist’s empire,
Tucked in-between hard knuckles of earth,
Kneaded by the hands of canyon-making disasters,
Where woodlice weevil between geological strata
Of carpet, aching for rotwood to feed their tummies,
Guests, sedate, upon electric blankets

They come into the cold,
To escape the cold,
The romanticism of hearth-warmed discomfort,
And the jellied-legs of walkers reduced to pinewood

I will see you then,
Out among the rubble of king-marked graves,
When all you needed was a good blanket of mist,
To declare a few mountains an empire

In the Wales of old daydream,
To The Grey King’s nightmare,
Knitting his beard,
Into the fog’s kingdom

 

Poem: The Hidden Woman

 

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Of the beautiful girls in the world,
The fairest one is hidden,
You can seek her out all you want,
But she only comes unbidden

You can search in river, search in dale,
Search in ruins forgotten,
But you’ll not find her in the new,
You’ll not find her in the rotten,

You’ll not find her in desire,
Nor in the pits of yearning,
And if you find her in the woods,
You can be certain that they’re burning,

But when hope has taken its final plunge,
And The Seven Abysses are wailing,
And you are caught up in the current,
Your limbs, weak and flailing

You can be sure she’ll seek you then,
And pull you from the river,
And lips that hover above your own,
All ecstasy can deliver

But when the kiss seems perfect and clear,
A union, prophesied, of heaven and earth,
All sorrow certain to disappear,
The overcoming of death and birth,

That is when the blade sinks in,
A creeping chill subsumes your frame,
Your saddened skin falls from your flesh,
She steals your life, your pulse, your name,

This is what comes of wanting beauty,
Comes of seeking love’s return,
You gave yourself up to a wolf,
A hateful lesson you can’t unlearn

So, think twice of that fairest girl,
The sweetest one that’s hidden,
Her beauty may be what you want,
But her rending comes unbidden

And in the recesses of your grave,
At the touch that was forbidden,
You can spend the rest of your life reflecting on,
The woman best left hidden